William S. Hart From Wikipedia, the free encyclopedia

William S. Hart From Wikipedia, the free encyclopedia

June 12, 2015 cowboyrons@gmail.com COWBOYS AND SIDEKICKS 0by 

William S. Hart

From Wikipedia, the free encyclopedia

William S. Hart
BornWilliam Surrey Hart
December 6, 1864
Newburgh, New York, US
DiedJune 23, 1946 (aged 81)
Newhall, California, US
OccupationActor, screenwriter, director, producer
Years active1907–1941
Spouse(s)Winifred Westover
ChildrenWilliam S. Hart, Jr. (1922–2004)

William Surrey Hart (December 6, 1864 – June 23, 1946) was an American silent film actor, screenwriter, director and producer.[1] He is remembered as a foremost western star of the silent era who “imbued all of his characters with honor and integrity.”[2]




Hart was born in Newburgh, New York, to Nicholas Hart (c1834-1895) and Rosanna Hart (c1839–1909). William had 2 brothers, who died very young, and 4 sisters. His father was born in England, and his mother was born in Ireland.

He began his acting career on stage in his 20s, and in film when he was 49, which coincided with the beginning of film’s transition from curiosity to commercial art form.[3] Hart’s stage debut came in 1888 as a member of a company headed by Daniel E. Bandmann. The following year he joined Lawrence Barrett’s company in New York and later spent several seasons with Mlle. Hortense Rhéa’s traveling company.[4] He toured and traveled extensively while trying to make a name for himself as an actor, and for a time directed shows at the Asheville Opera House in North Carolina, around the year 1900. He had some success as a Shakespearean actor on Broadway, working with Margaret Mather and other stars; he appeared in the original 1899 stage production of Ben-Hur. His family had moved to Asheville but, after his youngest sister Lotta died of typhoid fever in 1901, they all left together for Brooklyn until William went back on tour.[5]

Sketch of William S. Hart in 1929

Hart went on to become one of the first great stars of the motion picture western. Fascinated by the Old West, he acquiredBilly the Kid‘s “six shooters” and was a friend of legendary lawmen Wyatt Earp and Bat Masterson. He entered films in 1914 where, after playing supporting roles in two short films, he achieved stardom as the lead in the feature The Bargain. Hart was particularly interested in making realistic western films. His films are noted for their authentic costumes and props, as well as Hart’s extraordinary acting ability, honed on Shakespearean theater stages in the United States and England.

Beginning in 1915, Hart starred in his own series of two-reel western short subjects for producer Thomas Ince, which were so popular that they were supplanted by a series of feature films. Many of Hart’s early films continued to play in theaters, under new titles, for another decade. In 1915 and 1916 exhibitors voted him the biggest money making star in the US.[6] In 1917 Hart accepted a lucrative offer from Adolph Zukor to join Famous Players-Lasky, which merged into Paramount Pictures. In the films Hart began to ride a brown and white pinto he called Fritz. Fritz was the forerunner of later famous movie horses known by their own name, e.g., horses like Tom Mix’s Tony, Roy Rogers’s Trigger and Clayton Moore’s Silver. Hart was now making feature films exclusively, and films like Square Deal Sanderson and The Toll Gate were popular with fans. Hart married young Hollywood actress Winifred Westover. Although their marriage was short-lived, they had one child, William S. Hart, Jr. (1922 – 2004).

By the early 1920s, however, Hart’s brand of gritty, rugged westerns with drab costumes and moralistic themes gradually fell out of fashion. The public became attracted by a new kind of movie cowboy, epitomized by Tom Mix, who wore flashier costumes and was faster with the action. Paramount dropped Hart, who then made one last bid for his kind of western. He produced Tumbleweeds (1925) with his own money, arranging to release it independently through United Artists. The film turned out well, with an epic land-rush sequence, but did only fair business at the box office. Hart was angered by United Artists’ failure to promote his film properly and sued United Artists. The legal proceedings dragged on for years, and the courts finally ruled in Hart’s favor, in 1940.

Hart’s ranch home, “La Loma de los Vientos” in Newhall, California, built between 1924 and 1928 in the Spanish Colonial Revival architectural style, is currently a museum

After Tumbleweeds, Hart retired to his Newhall, California, ranch home, “La Loma de los Vientos,” which was designed by architect Arthur R. Kelly. In 1939 he appeared in his only sound film, a spoken prologue for a reissue of Tumbleweeds. The 75-year-old Hart, filmed on location at his Newhall ranch, reflects on the Old West and recalls his silent-movie days fondly. The speech turned out to be William S. Hart’s farewell to the screen, and it’s a fitting valedictory. Most prints and video versions of Tumbleweeds circulating today include Hart’s speech. Hart died on June 23, 1946, in Newhall, California at the age of 81. He was buried in Green-Wood Cemetery in Brooklyn, New York.


For his contribution to the motion picture industry, William S. Hart has a star on the Hollywood Walk of Fame at 6363 Hollywood Blvd. In 1975, he was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma.

As part of the Natural History Museum of Los Angeles County, California, Hart’s former home and 260-acre (1.1 km²) ranch in Newhall is now William S. Hart Park. The William S. Hart High School District as well as William S. Hart Senior High School, both located in the Santa Clarita Valley in the northern part of Los Angeles County, were named in his honor. A Santa Clarita baseball field complex is named in his honor.

On November 10, 1962, Hart was honored posthumously in an episode of the short-lived The Roy Rogers and Dale Evans Show, a western variety program onABC.

Biography portal

Published books[edit]

After Hart retired from film making he began writing short stories and book-length manuscripts.[7] His published books are:

  • “Pinto Ben and Other Stories” (written with Mary Hart), 1919, Britton Publishing Company
  • “Injun and Whitey”, 1920, Grossett & Dunlap
  • “Injun and Whitey Strike Out For Themselves”, 1921, Grossett & Dunlap
  • “Injun and Whitey To the Rescue”, 1922, Grossett & Dunlap
  • “Told Under a White Oak Tree” (credited as by “Bill Hart’s Pinto Pony”), 1922, Houghton Mifflin Co.
  • “A Lighter of Flames”, 1923, Thomas Y. Crowell
  • “The Order of Chanta Sutas”, 1925, unknown publisher
  • “My Life East and West”, 1929, Houghton Mifflin Co.
  • “Hoofbeats”, 1933, Dial Press
  • “Law On Horseback and Other Stories”, 1935, self-published
  • “And All Points West” (written with Mary Hart), 1940, Lacotah Press


  • Ben-Hur (1907)
  • The Bad Buck of Santa Ynez (1914) (extant; Library of Congress)
  • The Gringo (1914) (*unconfirmed)
  • His Hour of Manhood (1914)
  • Jim Cameron’s Wife (1914)
  • The Bargain (1914)
  • Two-Gun Hicks (1914)
  • In the Sage Brush Country (1914)
  • Grit (1915)
  • The Scourge of the Desert (1915)
  • Mr. ‘Silent’ Haskins (1915)
  • The Grudge (1915)
  • The Sheriff’s Streak of Yellow (1915)
  • The Roughneck (1915) (?; Library of Congress)
  • On the Night Stage (1915)
  • The Taking of Luke McVane (1915)
  • The Man from Nowhere (1915)
  • ‘Bad Buck’ of Santa Ynez (1915) (extant; Library of Congress)
  • The Darkening Trail (1915)
  • The Conversion of Frosty Blake (1915)
  • Tools of Providence (1915)
  • The Ruse (1915) (extant; Library of Congress)
  • Cash Parrish’s Pal (1915)
  • Knight of the Trail (1915)



Social media & sharing icons powered by UltimatelySocial

Enjoy this blog? Please spread the word :)

Follow by Email
Scroll to Top